Sphinx Virtuosi

The Sphinx Virtuosi is a dynamic and inspiring professional self-conducted chamber orchestra and serves as the flagship performing entity of the Sphinx Organization—the leading social justice non-profit dedicated to transforming lives through the power of diversity in the arts. Comprised of 18 accomplished Black and Latinx artists, a critical aim of the Sphinx Virtuosi is to evolve and transform the face of classical music through artistic excellence, pioneering programming, and impassioned community engagement. Its members serve as cultural and diversity ambassadors for audiences and communities around the United States and abroad.

Heralded for its kaleidoscopically varied repertoire and bold thematic programming, Sphinx Virtuosi concerts give prominence to historically excluded Black and Latinx composers such as Samuel Coleridge-Taylor, Alberto Ginastera, Coleridge-Taylor Perkinson, Florence Price, Heitor Villa-Lobos, and George Walker. In an effort to expand its repertoire and engage new audiences, the ensemble commissions new works annually. Commissions have included major new works from Michael Abels, Terence Blanchard, Valerie Coleman, Xavier Foley, Ricardo Herz, Jimmy Lopez, Jessie Montgomery, Daniel Bernard Roumain, and Carlos Simon.

Members of the Sphinx Virtuosi have performed as soloists with major American orchestras, including the New York Philharmonic and the Cleveland, Detroit, Atlanta, Philadelphia, Seattle, and Pittsburgh Symphony Orchestras. Members also hold professional orchestral and academic positions. The Sphinx Virtuosi’s community engagement initiatives regularly extend beyond masterclasses and workshops to members leading DEI initiatives within arts organizations and connecting with other Sphinx programming to further the mission of achieving excellence through diversity. As a bilingual ensemble, these artist-citizens frequently break down existing barriers empowering the artform to connect with the broader community. During the pandemic in 2020/21 the ensemble found creative ways to connect with audiences and communities virtually through performances, panel discussions, masterclasses, Q&A sessions, and more reaching over 30,000 people across 20 organizations.

A native of Chicago, Illinois, Josh Jones started hitting things at age 2 and received his first
drum set at age 3. Josh began his formal studies in percussion with the Percussion Scholarship
Program under the direction of Chicago Symphony member Patricia Dash, and Chicago Lyric
Opera member Douglas Waddell. He earned his Bachelor’s in Music from DePaul School of
music and was the orchestra fellow of both the Detroit and Pittsburgh symphonies. In 2022,
Josh joined the Grant Park Festival Orchestra as Principal Percussionist. Josh has been
featured at Carnegie Hall, on radio and television, and has had two short documentaries made
about his musical development and experience. He also authored a percussion method book
series, “Spatial Studies for Hitting Things”, and writes musical and philosophical blogs on his
website, drummojo.com. Josh really enjoys giving back to the community as well as mentoring
young musicians and traveling.

Scott Joplin, (arr. Jannina Norpoth) Overture from Treemonisha 

Samuel Coleridge-Taylor, Selections from Four Novelletten, Op. 52 

Derrick Skye, American Mirror: Part One

Curtis Stewart, Drill for Prepared Drumset and Strings 

Juanito Becenti, Hané (Story)

Teresa Carreño, Serenade for Strings, mvt. IV Finale, Tempo di Marcia

Levi Taylor, Daydreaming (A Fantasy on Scott Joplin)